On Wednesday I saw Facing Windows, which won the best film award at the Seattle International Film Festival this year. The movie had good acting and cinematography, but nothing that made it great. But it did have a lot of close-ups of faces, including an extreme close-up under the end credits. I love reading faces and trying to figure out what they reveal, and I thought Massimo Girotti, who played a forgetful old man in the film (and apparently passed away soon after), did a great job of getting across a lot in his facial expressions.
It's weird, though, because I feel like a still face in a good photo is often more interesting than an animated face in a film. Maybe it's because I need to think more to figure out what's going on with the person in the still? In any case, I hadn't heard of Henri Cartier-Bresson before this week, but it seems that he had a knack for capturing faces at revealing moments. I especially like this picture of Gandhi breaking a fast. The woman in the background looks relieved and happy, but afraid to be too exuberant and somehow upset Gandhi and make him change his mind. It would be cool to actually see prints of some of Cartier-Bresson's pictures instead of just web-friendly digital versions and catch more of the details.