The Sleeper Curve

I just finished reading this article on a topic near and dear to my heart, television. I instinctively recoil at the hand-waving arguments made in the piece, but I do agree with its overall gist that television drama has become more complex. Couple things, though: Johnson doesn't mention film at all, and I can't imagine that trends in television are unrelated to what's going on in movies. I know that David Chase, creator of The Sopranos, aspired to bring the complexities of film to a television series, and that his vision for the show was deeply influenced by the intertwining of domestic and mob life in Goodfellas. Given the similarity of the media, it just seems like an obvious point to address. Also, as a nitpick, Johnson left out discussion of two great shows that would fit nicely into his arguments. The first is The X-Files, which used all kinds of obscure terminology and was really fun to watch until it jumped the shark. The second is The Wire, which I blogged about recently. In terms of plot complexity, it's probably harder to follow than any of the shows mentioned in the article.